find a moment of clarity. ¡eureka! is the new lp on alpha pup from eureka the butcher, a collection of intense, involved tracks with deliberate arrangements and undefnable style.
the vinyl release includes a download code.

2017 repress , just in time for summer, andrés aka dj dez hits back with three perfect house cuts. the andrés formula is fairly simple, grab a sample, flip it, add warm basslines and drums. thing is, nobody does it quite like dez. the title track here is a soulful rave-up spinning on an indelible vocal chop and vamping pianos. -chevy status- is true to its name, a chugging mid-tempo hip-hop/house tune perfect for rolling down woodward avenue, or if you like, a street in your town. -pluck away,- meanwhile, takes some jangling, tropicalia guitars and lets them ride into the sunset, closing out a near perfect record which only builds anticipation for the detroit man s fourth full-length, andres iv.

ele returns with ha noi nights, a collection of dusty jazz samples and soulful grooves inspired by the distinct tapestry of street culture pulsating through the capital. the opening track rush recalls our affection of groove chronicles 90 s garage sound, before repelete and bini take centre stage with their infectious soulful summer beauty legislate . resonating with fans of james mason s bassline in the monster nightgruv , the b side welcomes rhythm sections contours and saxophonist callum connell who turn towards the later hours with night shift . finally, sameed returns to the dusty jazz formula with someone like me an infectious blissful sound, built around jazz samples and rhodes solos.

collated by legendary acid house don k alexi bringing together 5 of his chi town cohorts for a 6 track jack fest of the highest order.

first ep of matthias, new talent emerging from italy, for twig (seekers sub-label dedicated to the young producers)... 5 tracks , an eclectic journey trough house, techno, minimal and electro

the north east of england is known for its role in helping to shape the uk house and techno club landscape during the late 80 s and throughout 90 s. it’s infectious and raw energy engaged slip-d from a young age exposing him to a number of venues including the riverside, empire, pleasure rooms and the hedonistic rockshots. drawing inspiration from the scene along with potent labels like svek, guidance and shaboom that came in to prominence in the late 90 s, a bedroom studio set up of amassed hardware funded on a basic income was then formed over time. residence in teesdale avenue, regular local car thefts and the wail of the rag and bone man all assembled themselves as a formula of what was happening outside the 4 walls of the studio. the vaulted hypnoelectronix no.1 finally got pressed after some years, and transports us to the true crux of that era. more material to follow in 2017 on the hpnx imprint...

‘mind fiction’, kaczor s first release, comes with organic artwork such as a growing plant cover and simple yet sleek thai design inspired by a recent tour to southeast asia. the ep serves as a perfect example for kaczor s own artistic vision: moody textures and mellower grooves meeting his trademark raw and gritty, forceful attack-laden release of rolling drums, bass and percussion, pointing to kaczor s own roots in the more stormy outbacks of broken beats or uk bass. first track ‘balance’ starts off with a softer, textured soundscape, nicely balancing melancholy synth waves and drum rattles into an atmospheric opener with a slowly oncoming and unfurling, melodic twist. the title track ‘mind fiction’ more closely follows kaczors very own signature formula of a simple and driving bassline followed by an evocative build-up rushing into an emotional, cathartic breakdown. ‘asta’ might be kazcor s most daring and trippy production to date: an intense mixture between hypnotic, hard hitting thumps and thunderous rolling drums taking the listener into the electrifying whirl of a night-time storm, where the tense and dense, humid atmosphere culminates in a monsoon-like rainfall of spiralling reverb – marking a fitting crescendo for this impressive debut on kaczor s now very own sonic ground.

new ep from italian producer bioshi, a former itf world champion and hardware obsessive who debuted on original cultures in 2012 with the formula ep. bedroom tales collects five new instrumental productions in the vein of the electronic hip-hop of the beat scene. completing the ep are two remixes from rbma alumnis jolly mare (who also mastered the release) and daisuke tanabe, who each bring a different twist to the beats. available on 12inch with design by bologna s paper resistance. early support from om unit, kutmah, jay scarlett, nts radio.

kiki gyan’s star didn’t burn long, but it burned bright. drafted into the afro funk super group, osibisa, at 15, he was millionaire by 18 and regarded as one of the best keyboardists in the world by 21. ‘life was good, man,’ he told journalist kweku sakyi-addo. ‘too good!’. in 1983 he dived head first into the new york party scene. he took a lot of drugs, spent a lot of time in clubs and got together a team of crack local musicians to record feelin’ alright, his third and final solo album. all the kiki gyan trademark elements are present and correct. the album is unique a blend of highlife music with electronic funk and disco. ‘rosemary’ follows the formula most closely and was a hit across nigeria and ghana. but on ‘give it to me’, ‘love to love you’ and the title track, you’ll hear a slicker, boogie-influenced sound that has made feelin’ alright one of his most sought-after albums. kiki gyan would never hit such heights again. his addictions eventually took hold and he died aged 47, destitute and alone. feelin’ alright remains one of the brightest stars in his extraordinary constellation.
(peter moore)

after success of the 3rd release which was entirely made in l.a. and played all over by ricardo villalobos and sneak to name a few, here’s the 4th installement of tripmastaz vinyl only label, where he craftly handpicked the most personal music of his own.
“sweat, blood and tears and it’s all autobiographical- - as he describes it.”
the formula remains the same - dancefloor science grooves mixed with subliminal deepness plus hip-hop beat for those who know what’s up.

mohammed al harbiti, adam stromstedt and flord king s lyssna records is now on its third release, and the label is beginning to pick up jus the right sort of momentum to make a impact on the vast, bottomless pit that is the deep house scene. what you need to be able to do that is plenty of style and a fresh way of constructing 4/4 patterns, something which levi verspeek has clearly nailed on the opening 256. peshka s miracle is also refreshingly off-kilter, meandering its loose drums over a hazy bed of washed-up sonics, while flord king s steff off uses the minimal formula to deliver its mesmerising glow, and adam stromstedts hm 2016 is probably the best example of traditional deep house that we ve heard since the close of that treacherous 2016. quality house escapades.

armed with his unique delivery, gruff voice, and sharp wit, u.g. is well-equipped to do just as he wishes when he hits the booth. whether on his own or earning critical acclaim as one-half of the cella dwellas, the brooklyn rapper has been a giant amongst the nyc rap underground since 94. and on portals, his long anticipated solo debut, u.g. proves that his formula for crafting excellence has no expiration date.
pressing on transparent, purple splattered vinyl.

since their inception in 2013, east london duo payfone have been breathing warm-blooded soul into their unique machine-fuelled groove. drawing the dots between the white isle and nu yorica - by way of london s narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own. together, phil passera and chieka ononye buzz along the fault lines of classic r&b, cosmic disco and acid house, injecting their sound with 21st century syncopation. adhering to a strict no samples rule, their manifesto demands that everything be 100 percent original. it s a formula that s worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated us imprint golf channel recordings. following three sold-out releases for the label, they return with another pair of discreet bangers, justified and we are chains. the tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse louis howard jones whose lyrics spark with a political punch.

since its beginnings, fracture has followed the formula of releasing upcoming and interesting newcomers, people they believe in, to get them remixed by more established artists. this time its none other than uk techno legend james ruskin stepping up to the task, for a track carefully crafted by berlin based artist leiras. leiras comes from madrid, and has in the last few years since his move to germany released a handful of eps, mostly on his own ownlife imprint. abyssal is a trippy and atmospheric cut, the kind of deep techno that can transport you into a second state if dropped at the right time. on remix duty, ruskin makes it weirder and grittier, slowly and skillfully building the tension from atmospheric to potential peak time material.

ode to the sea represents a result of program cooperation and ode to soviet musical heritage with its jazz experiments, great space-age canvases, unique massive of library music and sentimental soundtracks. just imagine listening to a soviet jazz band being on ecstasy and youll get it.

under the surface of the sea, immersed into the deep, where light is just utopic... waiting till the end of tempest. tensal comes back with his second ep to the berlin based imprint ownlife. subaquatic saga is the confirmation of the cyclical sound, the exahustive development from one of the producers who synthesized this genre in a better way in the last years. this time, he decomposes his usual formula showing new directions of his particular vision of the future sound of techno.

in the lead up to their 5th year as a label music is love celebrate by continuing their infamous va series the lovebox. sticking to the winning formula of a hefty double vinyl package comprising of 8 tracks from 8 top artists, this time they have some familiar people alongside new faces to the label.

elocution, the third figure ep from portuguese producer lewis fautzi, again displays a high defree of versatility but still comes cleary cut for the club. employing a rich yet spacious sound design, fautzi creates cinematic scapes that are at once both brimming with the hums of colossal interstellar machinery yet at the same time leave enough room for a range of carefully sculpted elements to do their work. whether it be the twisted acid arpeggio on opener shizophrenia, the imposing drones underscoring the mighty mirror or the propulsive percussion of centerpiece 37b. testament to fautzis talent of engaging arrangement, never do the tracks here feel hurried nor do they become stagnant - but rather given just the right time to ripe into their full captivating potential. no matter if one is to approach this records as already an avid lover of lewis fautzis work or comes to it simply looking for fresh takes on the classic formula, this enthralling ep certainly will satisfy everyones needs.

jake one’s discography reads like a who’s who list of some of the greatest and most successful artists in the history of hip hop. that’s what makes him truly unique. blurring the lines between the underground and overground. providing sonic backdrops for such incredible emcees as de la soul, scarface, freeway, mf doom, evidence, casual, elzhi, brother ali, and rakim among others, but polishing that same formula and providing records for the likes of drake, rick ross, t.i., 50 cent, snoop dogg, j cole, wale, dom kennedy, and royce 5’9”, jake one is one of the exceptions that has worked equally with both of these sides of the industry. exceptionally. “prayer hands”, a collection of instrumentals created from gospel sources, includes some of those recordings amongst others that all remind you that jake one has pretty much become the go-to producer for any major artist that wants some real hip hop shit on their album. and understandably so.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

nothing lasts but nothing is lost – terence mckenna first solo ep by zanias after her keluar and linea aspera projects. this evolution culminates in a mature but radical project. radicalism has never relied completely on the means to deliver it. it also requires a relationship to society, to culture, at any given time. a solid background must be included in the formula as well. once certain stability is reached, there is no other way more than taking additional risks in order to produce new work of interest. finding different mechanisms to corrupt the methodical linearity that underlies artistic production. corrupting means finding possibilities to create an accident, possibilities to contradict, to prove anomalies within the frame of reference of that new thought is actually possible.

raw, organic and spontaneous without limitations, this is counrad series the first release welcomes the label boss counrad that will accompany us step by step in this new awesome adventure. the label formula is deeply-felt sensation, giving a deep and unique insight into his musical universe.

as &me’s last two eps on keinemusik have been hitting the bulls eye of public perception immediately, his km034 for sure will meet high expectations from djs and crowd alike. what should one do within this sort of spotlight? boil up the same old formula? milk the cow? play it safe? well, &me is rather going for the ‘don’t overthink it and just do whatever you like’-option. which in case of this “one on one”-ep is a collaborative effort with english singer/songwriter-enigma fink, that’s letting musicality rule over functionality.

nice price deal !!! danny clarks solid ground label is already in its short lifespan proving to be one of the most indemand soulful labels around – working with the crème de la crème of vocalists, and mixing up their own productions alongside key names on the mixes, the winning formula is firmly fixed on quality. for the fourth release, jay & danny diversify their sound by taking on a deeper tone and working in the haunting vocals of the outstanding nica brooke, with a killer remix package from underground collectives marlon d & the ever impressive atjazz taking the track on different routes.

blow out - summer 2016 nice price action ...back after a two year hiatus following their top 10 hit with >the creeps<, freaks launch their next episode with >umakenosense<, a mind-bending electronic monster package complete with bad ass radio slave remix.
>umakenosense< is a distorted trip into psychedelic territory through a minefield of cosmic energy. this is music that appeals to the mainstream and the dark underground, a formula that freaks have achieved time and time again.
radio slave has become renowned for his epic reworks, producing some of the best-loved remixes of the past few years. he doesnt disappoint with an expedition through low-end and high-octane stratospheres shaking out thegroovy beast and creating a sonic soundsystem mash up of a remix ... rewind!
freaks was originally the brain child of bournemouths justin harris and london-based luke solomon, but has mutated through its live format into a 6 piece outfit incorporating the infamous jonny rock on guitar, sascha darroch davies on drums, vocalist stella attar and rub on bass. with three albums behind them, a seminal label we know and love as music for freaks and a top 10 hit with >the creeps<, freaks have journeyed through filter disco, quirky mid tempo house and minimal techno to cement their own revolutionary style.
luke, justin and stella are now writing new material for their 4th studio album and a best of compilation (out end 2009). from early demo listening, it looks as if it will be a mesh of all their electronic, disco and leftfield pop influences and will undoubtedly re-introduce their fans to a whole new level of freakish behaviour.

‘circular dispute’ is an exploration that incorporates soft textures, mellow kicks and changes in bass pressure to convey mystical movement. the rigid half-time marker slowly fades in, turning circular pressure into a subtle roller that simply defies the rules of gravity. hysee applies an even more intricate formula to ‘isolator’, one that bends attentive low-end textures and minimalistic percussion through time and space. the way it travels, progresses and ends makes this production a groove on its own & an excellent add to ‘vv003’. hysee’s last succession on the record strikes slowly but steadily, waves of deepening frequencies, mesmerising synths and arrhythmic choirs form the pendulum of his signature sound. this closing production allows listeners to drift off to another dimension or subconscious vibration. visceral vibrations’ third acquisition holds the talent of the italian producer hysee, who takes part in our lineage of forward-thinking bass music. with a review hosted by the trusted fatkidonfire blog and airplay support by influential artists, we’re ready to present ‘vv003’ to the world.

after releasing a full length ambient album by mario hammer and the lonely robot in november, we now reales a vinyl 12- with two remixes and one original from the album. the ep kicks of with a rare remix of german producer duo extrawelt who have created a somewhat unusual hybrid of 2 of the album tracks. their remix connects mario hammer’s ambient music with their beat formula in a brilliant way. extrawelt s remix of -mono no aware / l esprit de l escalier- shows signs of a voyage since it starts off very quiet with sounds from mario hammer s original and then weaves in the accelerating techno beats and later electro beats they are so famous for.

sebastian mullaert is of course first of all known as half of minilogue, a duo so influential in the hypnotic field of techno that korg recently named a synthesizer after them. lately, sebastian has focused on his solo path under the wa wu we moniker, releasing stripped back and personal music on his own wa wu we label, the cryptic s.e.l.f label and now on kontra-musik. on the title track travellers, sebastian mullaert uses a straight up techno formula that may surprise listeners who haven t followed his move into wa wu we territory. you almost get the impression sebastian buried a recording destined for a rigid techno label in a deep forest back in the 90 s and has now decided to uncover it again, finding that the track has matured under the black soil.

tzusing returns to l.i.e.s. with his third and (final?) name out of place ep after two now sought after percusors leading up to this one. again we are not disappointed as the massive opener face of electric hits hard taking a typical breakbeat formula and adding some sort of bizarre ritualistic element like the zulu nation or george kranz in a ceremony at a steel factory. emotional eater slows the tempo down, but again the machines grind hard with tinges of acid, heavy rhythms and sparse vocals moving in and out, while the closer r is a stripped down beater made for mixing. top stuff from the in demand producer.

its always unwise to judge a label thats still taking its first steps, but banoffee pies has barely put a foot wrong since launching a couple of years back. here, the bristol-based imprint continues with its successful split release formula, gathering together a quartet of tracks from up-and-coming producers. beaner kicks things off with the bumpin , low-slung deep house grooves and delay-laden guitar samples of it takes two, before philou louzolo raises the temperature with the looped horn samples and thumping beats of alter ego. flip for the dreamy balearic house goodness of ron wilson s albino turtle, and the bongo-laden, after-party deep house shuffle of mome s assatta.

ostgut ton reissues neun of zehn with original tracks by ben klock and ryan elliott as well as len faki revisiting rainbow delta. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. without any doubt, the best klubnacht moments are when dancers let go in trance not peak time, not big hitters, its the subtle nuances that matter. ben klocks first solo production in six years on a internalises this formula: a simple beat, pulsing sirens, a shimmering melody, some sprinkling flute notes and ben’s your uncle. sirens is a pure, hypnotic cut, shrewd and stylish. on b1 ryan elliott underlines why he has been playing both of berghains floors regularly: smith lake is somewhere along the lines of micro techno/macro house, something living inbetween musical worlds and floors, combining tribalist bongo percussion with ethereal synth pads and a delicate bassline. is it safe to say that rainbow delta is a modern classic? because it is! on b2 len faki revisits his 2007 release in form of a stripped-down, bare-naked and intimate ambient version. a modern classic, turned seren

rnt pushes the boundaries of their ever-expanding reserve imprint once again, bringing the tropical soul of fatnotronic into the fold. a sprawling 12 inch + bonus 7 inch pack, onde anda spans a range of equatorial flavor, showing the sao paulista duo s knack for bringing just the right touch of today to classic and obscure brasilian sounds of the past. and with beautifully illustrated packaging, this one s a treat for both the eyes and the ears! pressed on 12 inch with a bonus 7 inch both heavyweight vinyl both in a full picture sleeve.

2016 re-issue, ghetto chicago madness! chicago legends jammin gerald & parris mtchell return as the track stars with some of that, down-low, hardcore ghetto house that they are known for! stripped back, jacking, unapologetic club traxx for the freaks and most certainly not for the faint-hearted! the formula is simple ultra jacking 808s, those killer toms, xxx-rated lyrics its all here! dance mania, keeping house music dangerous for 2016!

double lp in gatefold with printed inner-sleeves and cd-version of the album included.
in 2016, the new breakbot version one plus one (breakbot + irfane) will release a second album, still waters, a new assortment of southern sunrays, with swinging images of dancefloors filled with guys in flowing trousers and bare-shouldered young girls. for this occasion, breakbot and irfane followed a well-oiled formula.

msterdam house head and slapfunk artist daniele temperilli extends the ruff and ready formula kakudo records brings to vinyl addicted dancefloors worldwide. a formulae clearly showing: club music remains about tracks. massive tracks - that is! in which temperilli focuses on the power of our label s core ingredients. raw beats, raw bass. being part of the leading dutch house movement he caters an energetic mixture of thumpin , bass-fuelled vibes. as minimalist as eerie, as funky as mad, as oldschool as futuristic!

roush warmly invites jamie trench to the vinyl series with take a peek ep that follows our winning formula: two original mixes and two remixes by different artists.

the berlin-based label forbidden behaviours welcomes aboard the romanian talent zefzeed which has previously released on labels such as all inn, bodyparts, untold stories just to name a few. the ep is composed by three tracks that showcase perfectly the refined ears and tastes of the artist. this is a must for any serious vinyl pusher! don t sleep on this one..

poker flat’s forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm.

poker flats forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm. the result is a collection of new and exclusive tracks as addictive as the stone cold classics that influenced them - a tribute and, at the same time, the cutting edge of contemporary music production.

two years ago, kask debuted on legendary sound research to the acclaim of world class taste-makers such as motor city drum ensemble, jeremy underground and bicep. his new ep *homegrown* features the same energy and vibrancy filtered through a mature formula of music making. file under: carefree melancholy, soul-searching beat theory and other-worldly new wave.

set to smash the summer and beyond, mele debuts his single, ambience on redlights highly acclaimed label, lobster boy records. soaring with a soulful vocal and an indelible drum groove, that takes us on a journey through house and carnival heritage, splicing in his trademark sound. with a residency on the diplo and friends, radio 1 show and support for the track from gorgon city, disclosure, tiga, jackmaster, skream, redlight and annie mac, mele has created a soon-to-be sought after dance formula, and exercised the production of a track that cannot fail to make people move

18 incredible tracks from the man who invented disco - selected by rare disco connoisseurs euan fryer & ian wright.
pressed on double vinyl lp - repress

the project named after his own label brand presents four cuts ranging from cosmic quantum nervous compulsion to introspection. harmonious combination of complex percussive rhythms gives way to the already identifiable sonic universe of 30drop that turns into an effective formula at any club aimed at the forefront of the electronic dance music. sacred geometry and style, concept and form, all to the service of the fundamental search. the roots are deep and horizon is vast. >superconductivity ep< extends the scope of 30drop positioning on the edge of the sideral dance floor.

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

kombination research is proud to be back on the vinyl plateau with this *industrial ep*, featuring label boss cisco ferreira / the advent & partner in crime ricardo rodrigues / industrialyzer with these 3 power techno tracks. industrial & force field have already been performed at clubs & road tested at festivals, like awakenings (nl), techno flash (sp) & nature one (de) with huge crowds response. the advent is going back to the old formula with 2 techno tracks. 1 more pick time & 2nd more deep techno, and finally a 3rd electro track. 100% techno guaranteed!

limited backstock ... petre inspirescus last masterpiece released as &#960,, ensemble on his yojik concon imprint. this last addition to his current trilogy. marvelous artwork realised by videogram and dasha redkina makes this album a real collectors item. classic and electronic music mixed together with his secret formula give this ep a really profound fairy tale like atmosphere. happy end included!
double 12 inch heavyweight 180 gram vi nyl in gatefold cover.

the legendary 1979 orchestra returns to his edit fetish with this first release of the new edit series, pure legendary edits. the formula is updated with pure grooves, pure sounds and pure spontaneity. the a side cut, diggin it, revolves around a funky groove, cut-through drums and a warm melody that sizzles in and out via filters, delay and reverb. b side, loungin in the sun, gets even hotter with an exotic sun-drenched rhythm and brazilian sea-side vibes of rhodes undertones and horn section accents. pure dance-floor action pressed on loud 45rpm vinyl especially for club, festival or beach play!